What's Amazing
small moments & found meaning
I am a teacher and writer. I divide my time between Moscow, Idaho and Chicago, Illinois.
I picked up this book in preparation for the August Poetry Postcard Fest, which my friend Jill invited me to join. Since I'm still contemplating the many different ways you can write nonfiction, I've decided to use nonfiction as a basis for my poems.
Some of my favorites from the book are:
Never really finished anything, except cake. - Carletta Perkins
Fifteen years since last professional haircut. - Dave Eggers
Came, saw, conquered, had second thoughts. - Harold Ramis
Affection. Erection. No protection. Injection. Infection. - Colleen Zachary
I grew up in a cemetary. - Rachael Hanel
Revenge is living well, without you. - Joyce Carol Oates
I re-met Lori after 27 years. - Alan Weinkrantz
Secret of life: marry an Italian. - Nora Ephron
Here are my first stabs at it:
A heart too soon made glad.
He betrayed me
with his wife.
Every month, I rearranged the furniture.
Getting a PhD
now seems crazy.
I'm intrigued by loners, at first.
One girl
among seven rowdy boys.
Early wilderness life discovered too late.
You give so little. I'm through.
I've spent an inordinate amount of time at the Wright Home and Studio this summer. I'm intrigued by how open Wright was to ideas from outside the world of architecture, everything from music (Beethoven), to religion (Unitarianism), the natural world (especially the Wisconsin landscape), literature (Emerson, Blake Thoreau), math (Geometry), and art (Japanese). Lind's book is gorgeously illustrated and presents Wright as a complex yet highly intuitive person.

We both agreed that having our daughter was number one. After that, our lists were totally different. They included skinny-dipping in the Clearwater River when we first moved from Canada to the U.S. in 1986 (me), sleeping outside in our backyard one whole summer when it was super hot and we had no air conditioning (him), hiking trips in the Earl Grey (him) and East Moose Creek (me), eating a seatbelt ticket in front of an RCMP (him) and building play sets out of canvas and 2x4s in Richland, Washington where I was a high school theatre director (me).
After, we walked home in the skin-warm weather. He went to sleep on the couch and I did some more basement cleaning. At midnight I drug up my old wedding dress, rousted him from his sleep, and we called it a night. Simple moments. Unplanned occasions. That's what I love.

In last night's dream I wandered around a huge warehouse when someone asked me to play the drums. I started to say, "but I don't know how..." when all of a sudden I realized I did know how to drum. Not only that, I was super talented at it. The problem was I didn't have any sticks. But, fortunately, I knew where to locate a pair: the basement of our house (which I'm in the midst of cleaning in real life). In the dream the sticks magically appeared in my hands as soon as I thought of them and I sat down to play a set. I understood my musical talent came from the special sticks: they were mismatched (a Zildjain and a Hard Rock) and deeply worn, the very sticks my daughter used when she was 15 (in real life). In the process of cleaning the basement (again, in real life), I had found the sticks in the back of her closet. As soon as I touched them, memories of all the music lessons and recitals and concerts and events of her life rushed in on me so furiously I had to break for a few hours before I could reach into the closet again. 
Third time in four months. I love the moral certainty of Emma's world, even when she's not entirely correct. Favorite quotation of the day: "Emma's very good opinion of Frank Churchill was a little shaken the
following day, by hearing that he was gone off to London, merely to
have his hair cut. A sudden freak seemed to have seized him at
breakfast, and he had sent for a chaise and set off, intending to
return to dinner, but with no more important view that appeared than
having his hair cut. There was certainly no harm in his travelling
sixteen miles twice over on such an errand; but there was an air of
foppery and nonsense in it which she could not approve."
Painting: The Clifton Assembly Rooms (1817) by Rolinda Sharples in the Bristol Museum and Art Gallery, which I've seen several times in person and could look at as many times as I could read Emma.
"When is hurting okay? When you say so, or is it just open season, all of us going at it in any way we see fit?" This line, spoken by one of the five girls dumped by "Guy," could be applied to most of LaBute's male characters. Still, I think "Guy" is LaBute's most hurtful. He's creepy and, down deep, sad.
Argument. Lazy. Juxtaposition. Inland. Tendency. Ugly. Impulse. Equivocation. Racial. The Continent. Monstrous. Fielding the Question. Trains. Love. To me. These are some of the pegs on which this beautiful book hangs. It's a book whose landscape demands more than one reading, from beginning to end, then from end to beginning, then skipping from title to title, from paragraph to paragraph, from word to word, from page 5 to 26 and back to 17. Giscombe's stories are never simple narrative. They're like the gathering energy of a Chicago thunderstorm or a Kansas twister. "To me half a belief's better by far or one broken into halves." Love the idea behind that line...